{"id":2707,"date":"2019-08-05T11:17:26","date_gmt":"2019-08-05T11:17:26","guid":{"rendered":"http:\/\/www.ruxandravoinea.ro\/?p=2707"},"modified":"2019-09-18T18:35:56","modified_gmt":"2019-09-18T18:35:56","slug":"mecanismele-aparare-offred-povestea-slujitoarei","status":"publish","type":"post","link":"http:\/\/www.ruxandravoinea.ro\/index.php\/2019\/08\/05\/mecanismele-aparare-offred-povestea-slujitoarei\/","title":{"rendered":"Mecanismele de ap\u0103rare folosite de Offred \u00een Povestea Slujitoarei I"},"content":{"rendered":"\n

Casa \u00een care st\u0103 Offred seam\u0103n\u0103 cu o \u00eenchisoare “Un scaun, o mas\u0103, o lamp\u0103. Sus, pe tavanul alb, un ornament \u00een relief de forma unei cununi din frunze, av\u00e2nd \u00een centru un spa\u021biu gol acoperit acum cu tencuial\u0103, ca un chip c\u0103ruia i s-a scos un ochi. Probabil c\u0103 acolo fusese c\u00e2ndva un candelabru. Nu mai exista nimic de care s\u0103 po\u021bi prinde o fr\u00e2nghie.” <\/p>\n\n\n\n

Singurul lucru pe care ceilal\u021bi nu \u00eel pot controla este spa\u021biul interior al protagonistei principale. Celor care au creat societatea nu le este team\u0103 c\u0103 vei evada din spa\u021biul fizic, ci c\u0103 vei claca psihologic, recurg\u00e2nd la acte suicidare. <\/strong>“Nu se tem c\u0103 am putea fugi. N-avem cum s\u0103 ajungem prea departe. Se tem \u00eens\u0103 c\u0103 am evada pe alte c\u0103i, cele pe care le po\u021bi deschide \u00een tine \u00eens\u0103\u021bi dac\u0103 ai un obiect t\u0103os. ” <\/p>\n\n\n\n

Cite\u0219te \u0219i Distopia prezent\u0103 \u00een Povestea Slujitoarei<\/a><\/p>\n\n\n\n

\"Mecanisme<\/figure><\/div>\n\n\n\n

Spa\u021biul exterior ca o peniten\u0163\u0103 este suficient s\u0103 creeze anxietate<\/strong>, de\u0219i cei \u00eendoctrina\u021bi sus\u021bin contrariul: “Locul \u00een care m\u0103 aflu eu nu este o \u00eenchisoare, ci unul privilegiat, a spus m\u0103tu\u0219a Lydia” . <\/p>\n\n\n\n

\"anxietate<\/figure><\/div>\n\n\n\n

Mecanisme ap\u0103rare Povestea Slujitoarei: Offred<\/h4>\n\n\n\n

Astfel, ea recurge la anumite mecanisme de ap\u0103rare<\/strong> pentru a-\u0219i putea proteja integritatea fizic\u0103 \u0219i psihic\u0103 de afectele nepl\u0103cute Mecanismele de ap\u0103rare survin \u00een lupta pentru supravie\u021buire, c\u00e2nd suntem confrunta\u021bi cu vulnerabilitatea \u0219i ne dorim s\u0103 evit\u0103m durerea, anxietatea, depresia \u0219i furia. C\u00e2nd \u00eencerc\u0103m s\u0103 suprim\u0103m dorin\u021bele sau g\u00e2ndurile neacceptate, apel\u0103m la unele forme de ap\u0103rare. Acestea ac\u021bioneaz\u0103 la nivel incon\u0219tient pentru a ne proteja de situa\u021biile dezam\u0103gitoare sau dureroase. Con\u021binutul ideatic al fiec\u0103ruia dintre aceste afecte \u00ee\u0219i poate avea sursa \u00een percep\u021bii sau \u00een urme mnezice provenind din orice stadiu de dezvoltare \u0219i merg\u00e2nd p\u00e2n\u0103 \u00een prezent, \u0219i poate avea o baz\u0103 real\u0103, fantasmat\u0103 sau cobinat\u0103.
<\/p>\n\n\n\n

Mecanisme ap\u0103rare Povestea Slujitoarei: Clivajul<\/h5>\n\n\n\n

Multe lucruri le sunt interzise, printre care \u0219i numele, un clivaj identitar,<\/strong> \u00eencerc\u00e2ndu-se astfel s\u0103 se creeze o decuplare de vechea \u201cvia\u0163\u0103\u201d.  Din fericire, de\u0219i impus abrupt din exterior, clivajul Eului nu apare la June.<\/p>\n\n\n\n

\"Mecanisme<\/figure><\/div>\n\n\n\n

Clivajul este procesul prin care o structur\u0103 psihic\u0103 \u00ee\u0219i pierde integritatea \u0219i este \u00eenlocuit\u0103 de dou\u0103 sau mai multe structuri par\u021biale. 1) \u00cen clivajul Eului numai un Eu par\u021bial este tr\u0103it ca \u201c sine \u201c, cel\u0103lalt reprezent\u00e2nd \u201co parte separat\u0103 a Eului, (\u00een genere) incon\u0219tient\u0103\u201c . 2) Clivajul obiectului presupune atitudinea emo\u021bional\u0103 fa\u021b\u0103 de cele dou\u0103 structuri antitetice: obiectul fiind tr\u0103it ca \u201c bun\u201c (tolerant, binevoitor), cel\u0103lalt ca \u201cr\u0103u\u201c (resping\u0103tor, r\u0103uvoitor)<\/p> Dic\u021bionarul critic de psihanaliz\u0103 <\/cite><\/blockquote>\n\n\n\n

Mecanisme ap\u0103rare Povestea Slujitoarei: Negarea<\/h5>\n\n\n\n

Negarea prin fantasm\u0103,<\/strong> ca prim\u0103 form\u0103 de ap\u0103rare \u00een fa\u021ba \u0219ocului, apare prin \u00eencercarea de a ignora realitatea \u00eensp\u0103im\u00e2nt\u0103toare: \u201cProbabil m-au drogat. Poate c\u0103 via\u021ba \u00een care tr\u0103iesc nu este dec\u00e2t un delir paranoic.\u201c Negarea realit\u0103\u021bii psihice<\/strong> este o manifestare a ap\u0103r\u0103rii maniacale; const\u0103 \u00een negarea semnifica\u021biei intrinseci a experien\u021bei \u0219i \u00een special a sentimentelor depresive. <\/p>\n\n\n\n

Se poate folosi negarea pentru 1) a nega o experien\u021b\u0103 dureroas\u0103 2) nega un anumit impuls sau aspect al sinelui. <\/p> Dic\u021bionarul critic de psihanaliz\u0103 <\/cite><\/blockquote>\n\n\n\n

Negarea <\/strong>aspectelor sinelui 2) este urmat\u0103 de clivaj<\/strong> \u0219i de proiec\u021bie<\/strong>, al c\u0103ror rezultat este faptul c\u0103 pacientul \u00ee\u0219i neag\u0103 sentimentele, dar sus\u021bine c\u0103 ele sunt manifestate de altcineva. Trio-ul reprezint\u0103 o ap\u0103rare schizoid\u0103 prin care p\u0103r\u021bi ale sinelui sau obiecte interne sunt negate \u0219i atribuite unor obiecte din mediu.<\/p>\n\n\n\n

Psihanaliza combin\u0103 loialitatea fa\u021b\u0103 de prespectiva bunului sim\u021b sau natural \u0219tiin\u021bific\u0103, potrivit c\u0103reia se poate face o deosebire \u00eentre fenomenele externe, care sunt \u201creale\u201c sau \u201cprezente \u00een mod real\u201c, \u0219i fenomenele psihice, care sunt imagini subiective, cu convingerea c\u0103 fenomenele psihice au o importan\u021b\u0103 dinamic\u0103 \u0219i, prin urmare, sunt tot reale, dar \u00eentr-un alt sens. Astfel, folose\u0219te termenul \u201creal\u201c pentru a desemna fie prezentul obiectiv, fie semnificativul subiectiv. Presupune, de asemenea, c\u0103 toate fenomenele obiective ocup\u0103 un spa\u021biu exterior subiectului, numit realitate extern\u0103 (sau, mai pu\u021bin frecvent, realitatea obiectiv\u0103) \u0219i c\u0103 imaginile, g\u00e2ndurile, fantasmele, sentimentele etc., ocup\u0103 un spa\u021biu \u00een interiorul subiectului, care este numit realitate intern\u0103 sau realitate psihic\u0103 – at\u00e2t realitatea intern\u0103, c\u00e2t \u0219i cea extern\u0103 fiind teritorii \u00een care exist\u0103 lucruri \u0219i au loc procese. Premisa unui teritoriu interior al realit\u0103\u021bii este o fic\u021biune, \u00eentruc\u00e2t \u00eentre procesele psihice nu se poate considera c\u0103 ar exista o conexiune spa\u021bial\u0103 – conexiunile lor sunt temporale. <\/p>Dic\u021bionarul critic de psihanaliz\u0103<\/cite><\/blockquote>\n\n\n\n

\"Dali\"<\/figure><\/div>\n\n\n\n

Dar, prin negarea<\/strong> nefericirii ei, ea crede c\u0103 ea este singura care \u00ee\u0219i men\u021bine s\u0103n\u0103tatea intact\u0103. \u201cTotul este o reconstruc\u021bie. Acum este o reconstruc\u021bie \u00een capul meu. Hai s\u0103 ne oprim aici. Inten\u021bionez s\u0103 plec de aici. Nu poate dura pentru totdeauna.\u201c Mai mult, \u00ee\u0219i imagineaz\u0103 evadarea din acel loc \u0219i iertarea tuturor agresorilor ei; “Dar aminti\u021bi-v\u0103 c\u0103 \u0219i iertarea este o putere, poate nu este vorba de control. Poate nu este vorba despre cine poate s\u0103-i de\u021bin\u0103, poate c\u0103 este vorba despre cine poate face ce vrea \u0219i  cine \u00eei poate ierta pentru asta”. Offred continu\u0103 s\u0103 lupte cu acest adev\u0103r nepl\u0103cut al vie\u021bii sale pentru a nu \u00ee\u0219i pierde identitatea. “Am nevoie de prespective. Iluzia profunzimii… perspectiva este necesara…altfel tr\u0103ie\u0219ti prezentul. Nu asta este locul \u00een care vreau s\u0103 fiu. \u00cen fiecare noapte c\u00e2nd merg s\u0103 ma culc m\u0103 g\u00e2ndesc c\u0103 diminea\u021b\u0103 m\u0103 voi trezi \u00een propria cas\u0103 \u015fi lucrurile vor reveni la normal”. Incon\u0219tientul ei o readuce la amintirile pl\u0103cute din trecut, pu\u021bine, dar recurente. \u00ce\u0219i aminte\u0219te toate momentele fericite tr\u0103ite alaturi de Luke \u015fi fata lor, uneori \u0219i al\u0103turi de mama ei. <\/p>\n\n\n\n

Va urma…<\/em><\/p>\n\n\n\n

Bibliografie<\/strong> <\/p>\n\n\n\n

Povestea slujitoarei, Margaret Atwood, 1986, Editura Paladin<\/p>\n\n\n\n

101 ap\u0103r\u0103ri, Cum se autoprotejeaz\u0103 mintea, Jarome S. Blackman, 2012, Editura Trei<\/p>\n\n\n\n

Dic\u021bionar critic de psihanaliz\u0103, Charles Rycroft, 2013, Editura Trei<\/p>\n\n\n\n

Eul \u0219i mecanismele de ap\u0103rare, Ana Freud, Editura Funda\u021bia Genera\u021bia<\/p>\n\n\n\n

Ruxandra Voinea<\/strong><\/p>\n\n\n\n

Telefon: 0724551022<\/a><\/p>\n\n\n\n

Email: voinea_ruxandra_cristina@yahoo.com <\/a><\/p>\n\n\n\n

valorificarepersonala@gmail.com <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Casa \u00een care st\u0103 Offred seam\u0103n\u0103 cu o \u00eenchisoare “Un scaun, o mas\u0103, o lamp\u0103. Sus, pe tavanul alb, un ornament \u00een relief de forma unei cununi din frunze, av\u00e2nd \u00een centru un spa\u021biu gol acoperit acum cu tencuial\u0103, ca un chip c\u0103ruia i s-a scos un ochi. Probabil c\u0103 acolo fusese c\u00e2ndva un candelabru. Nu mai exista nimic de care s\u0103 po\u021bi prinde o fr\u00e2nghie.” Singurul lucru pe care ceilal\u021bi nu \u00eel pot controla…
Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":82,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[5,7,6],"tags":[],"aioseo_notices":[],"yoast_head":"\n- ruxandravoinea Mecanisme ap\u0103rare Povestea Slujitoarei<\/title>\n<meta name=\"description\" content=\"Mecanisme ap\u0103rare ale lui Offred, protagonista din Povestea slujitoarei. 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